The oil painting of two generations of father and daughter report a continuous story of Chinese art passed down from generation to generation

The oil painting of two generations of father and daughter report a continuous story of Chinese art passed down from generation to generation.

Luo Wenzhi, Director of the Standing Committee of the Shenzhen Municipal People's Congress, Zhang Ling, Member of the Standing Committee of the Shenzhen Municipal Committee of the Communist Party of China and Head of the Publicity Department, Wen Hongwu, General Manager of the Bauhinia Civilization Group Co., Ltd., Yu Wei, Deputy Chief Coordinator of the Guangdong Central Broadcasting Television Station, Zeng Xianglai, Director of the Shenzhen Bureau of Civilized Radio, Television, Tourism and Sports, Shang Boying, President of the Shenzhen Radio and Television Group, Xie Xi, Executive Deputy Head of the Publicity Department of the Futian District Committee, led Gao Peng and nearly 100 artists, deputies to the National People's Congress Art enthusiasts and others are absent from artistic activities.

The "Ink Swallow Language - Wang Xiaoyan's Art World" viewing event was unveiled on June 18th, showcasing dozens of paintings by artist Wang Xiaoyan and Wang Ziwu's masterpieces. On the occasion of Father's Day, the paintings of the father and daughter generations were exhibited, reporting a continuous story of Chinese ink painting handed down from generation to generation.

Wang Xiaoyan is currently a researcher at the Chinese National Academy of Painting and the director of the Prince Art Research Institute. She followed her father, Teacher Wang Ziwu, to learn painting from a young age, and gradually embarked on the path of artistic creation through endless joy and further education.

Wang Xiaoyan gave a speech at the art appreciation event, looking back on her own artistic creation process. She said that the traditional Chinese civilization and the art of Chinese painting were her foundation, and her father's careful guidance was like sunshine, rain and dew, which made her like a seedling, developing in the forest of art until she yielded gratifying results. She wants to use this viewing event to express her respect to her father and ask for her daughter's remembrance and admiration.

△ The Propaganda Department of the Shenzhen Municipal Party Committee and the Guangdong Broadcasting Station led Gao Peng to unveil the painting.

Wang Xiaoyan said that fatherly love is like a mountain, and her father's position in her heart cannot be replaced forever, which is a symbol of traditional civilization. She takes her father as a role model and studies more, comprehends ancient and modern Chinese and foreign famous paintings, and speculates on the historical background and spiritual world of characters. Only in this way can she write with great spirit.

△ Group photo of high friends on site

△ Shenzhen Municipal People's Congress Director Luo Wenzhi's Sightseeing Art Exhibition.

Painter Wang Xiaoyan teaches painting works.

△ Zhang Ling, Minister of the Propaganda Department of the Municipal Party Committee, and Wen Hongwu, General Manager of the Zijing Civilization Group, attended the exhibition.

On site of the unveiling ceremony.

△ Luo Wenzhi, Director of the Shenzhen Municipal People's Congress, had a friendly exchange with representatives of the provincial suburban people's congress who were attending the exhibition.

His father obeyed the tradition but was not confined to it. He advocated drawing on the strengths of others and drawing on oil painting, Watercolor painting and other performance tricks. Wang Xiaoyan's artistic creation benefits from the nourishment of traditional civilization and the careful guidance of her father, as well as her endless exploration of joy. In 1988, she was admitted oil painting reproductions to the Tokyo University of the Arts, Japan, and studied under the teacher Matazō Kayama. On the basis of traditional Chinese painting, her paintings also took part in the decorative elements of Japanese painting, forming their own weird artistic spirit.

The "Ink Swallow Language" Art Appreciation Festival is hosted by the Prince Art Research Institute and is another excellent exhibition since the previous year's "Wind God Scattered and Occupying High Autumn - Prince Art Exhibition/Prince Art Research Institute Academic Exchange custom oil painting Exhibition". Wang Xiaoyan said that her father Wang Ziwu had created a splash-ink freehand sketch of "Qu Yuan", which received high praise from the art community. The road is long and arduous, and I will search up and down. "At the same time, Wang Xiaoyan expressed her artistic search spirit and waiting for the future vision of the Prince's Technical Art Research Institute through Qu Yuan's poetry.

The event was guided by the Propaganda Department of the CPC Shenzhen Municipal Committee and Shenzhen custom oil painting Civilized Radio, TV, Tourism and Sports Bureau, supported by the Propaganda Department of the CPC Futian District Committee, and co organized by the Prince Institute of Technology and Arts and Shenzhen Railway Group.

Why is classical hand drawn oil painting more worth learning for later generations

 Why is classical hand drawn oil painting more worth learning for later generations?

Oil painting, as an ancient art form, is still widely created and appreciated. Although modern technology continues to emerge in various new forms of artistic expression, classical hand drawn oil painting still holds a place in contemporary art. In this article, we will explore why classical hand drawn oil painting is more worth learning for later generations.

Firstly, classical hand-painted oil paintings have a profound accumulation of artistic history. They play an important role in the development of human culture, and many world-class artists and works have deeply influenced the development of human art. From the Renaissance to modern times, hand drawn oil painting has always been one of the main forms of painting, providing a good foundation for the development of modern art. Therefore, studying classical hand drawn oil paintings can help us understand the development process of human culture and have a deeper understanding and understanding of art history.

Secondly, the creative process of classical custom oil painting hand drawn oil paintings can cultivate artists' aesthetic awareness and artistic skills. Hand drawn oil painting requires artists to express their artistic ideas by capturing and processing colors, light and shadow, space, and form. This requires artists to have a high level of precision and meticulous observation. By learning and imitating classical hand drawn oil paintings, later artists can improve their painting skills and artistic expression abilities, thereby better expressing their artistic creativity.

In addition, classical hand drawn portrait oil painting is a expressive and profound art form that can convey rich and complex emotions and ideas. The character images, scenes, and colors in classical hand drawn oil paintings touch the audience's inner world, making people feel profound emotions and thoughts. This expression of emotions and thinking is also an artistic effect pursued by modern art.

Finally, classical hand-painted oil painting is also a rare art form, and its collection value is high. Due to the unique nature of its history and technology, hand drawn oil paintings themselves possess high artistic taste and preciousness. Over time, these works will also present different historical flavors and cultural expressions, becoming the goal pursued by collectors.

In short, classical hand-painted oil painting has rich historical information, artistic skills, and emotional expression value, providing a vast artistic world and personal growth space for later learners to learn. The charm of classical hand drawn oil painting lies in its antiquity and tradition, but with the continuous exploration and development of artistic expression forms, it is also constantly gaining new life and modern significance.

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